SIDE B delves deeper into Creepy Nuts through his own musical influences.

creepy-nutsを深掘り-webm-subs-b.srt

I think this way, and you think that way.

I think we have to be responsible for that.

I'm sure it's risky to join with Yanaka- san.

I was watching the tennis match between Yanaka-san and R.

I watched Bruce Brothers when I was in the third grade of elementary school.

The first CD I got was the soundtrack of the Blues Brothers.

I grew up worrying about what I'm listening to, what I'm wearing, and what people are looking at.

That's why my parents lent me the Blues Brothers.

I was in the second grade of junior high school.

A friend who was watching fashion shows with me

said there was a Japanese rap song called Hip-Hop.

In that fashion show, there was Muro- san.

There was a part that came into my head at first.

I think that the bad qualities of hip- hop are very unusual for a boy who goes to a school in the countryside.

And this music is not known to anyone who is going to this school and is now passing the class.

And at that time, the most deeply-seated thing was Rhyme Star.

I've been listening to Rhyme Star's radio all the time.

That's the real essence of the track I'm making now.

The most important factor is the sense of sampling.

The drum that is mysterious, hazy, but very catchy,

and the sound of it being put on top of the story.

I don't know much about it, but it was the most important to me at the time.

There's a song called Great Jaguar in it.

When you go to Tsukaba tour, there are record stores all over the place.

Yeah, the used record is dirty, and your hands get dirty.

And nobody's seen a shelf that gets dirty, so there's a lot of stuff to dig out.

The job of a person who is buried in a dust-drenched jewel,

and goes to the next spot without a compass.

And this person, this is the last verse, but...

年柄年中、ディキネザ・クレイツ。 I dig every year, dig into every crevice.

しかも、エビ栓針に掘る、クレイジーペース。 And I dig into every crevice, crazy pace.

俺こそ、すごい好きなの。 I really like this one.

エビ栓針に、止まらないくらいも、掘っちゃう。 I dig into every crevice, so much so I can't stop.

で、次に、風の噂、街の噂、引き寄せ、鍵合わせ見つけるのさ。 And then, I find the wind and city's rumors, the draw, the key, and the connection.

横の繋がり、縦の繋がり、情報手上がりに綱渡り。これは、デブラージュさんが。 The horizontal, vertical connection, the information hand-to-hand connection. This is, Mr. Debraz...

He asked if he knew where the local people had good records.

He heard the live local information there.

And he went to a recycling shop where no other DJ had ever been to.

The track new person has a pretty sticky record...

So it's not a person who's looking for records.

I go to Tokyo, the city of Tokyo, and the city of Eigyo.

I thought it was a trackmaker's theme song.

[FUKA/BORI] Digging Deep into Creepy Nuts - Side B